The Transformative Aspect of Matter

Why are artists so attracted to the visualization of objects in the world? Why are we obsessive about our rendering with accurracy, about color or the significance of certain material forms? Why in our engagement with the world is matter, the material embodiment of objects, our main concern? I often think of Delacroix ,who notes in his journal, that he obsessively takes walks in order to be engaged in the world and observe all that he can, absorb it and render it anew in his imagination. This transforming an observation into an imaginative journey that leads to work within the soul is the key to understanding why an artist yearns for only this type of engagement to the exclusivity of all else. It is this obsessiveness with matter as a tool for engagement in the world, that leads the artist to paint and render again an object of significance.

Matter embodies more than its material existence. Matter engages us on a deeper level. It calls forth from us a response- be it a material response or a spiritual one. But the artists engagement is a spiritual one- make no mistake. Even if that artist sees himself as agnostic, his activity in the world is spiritual. He is engaged with matter on a spiritual level. He not only looks to matter to feed his imagination, but uses matter to speak again of what he has seen and felt.

In the very activity of mixing paint on the palette with a brush, he is manipulating the matter of paint, applying it to the canvas material in a physical process with arm and hand and one’s entire body. He observes matter- the object of significance. He uses matter- paint. He is matter engaged- the body. Matter is the key to unlocking his experience, but this experience is beyond the material embodiment of object and artist. It is its spiritual significance that the artists seeks.

Baudelaire’s concept of “correspondences” is all about the materialization of spiritual significances. All that we see speaks hidden words to the artist/poet, revealing and seeking a spiritual dialogue with him. This is the dialogue that the artist is in tune with. This is the dialogue that he cannot turn himself away from. Keats states it simply in Ode to a Grecian Urn”, “Beauty is truth and truth beauty this is all we know and all we need know.”

How does this engagement manifest itself and intern become a spiritual ground capable of transforming oneself and the world? When one is engaged with matter on a deep level one’s mind and soul can travel beyond the object observed. One becomes engaged in a deep reverie that carries the artist to an imaginal realm, and it is the engagement in this realm that brings insight and personal transformation, as well as the possibility of transformation in the world. The Sufi masters, like Ibn’Arabi, speak of the isthmus that must be crossed to the imaginal world. This isthmus manifest itself when the artist is fully engaged in his work. Engaged to such a degree that he no longer sees just the object before him but sees beyond it. It is the realm of memory and imagination speaking to him words and images that he could not have projected or forseen. Sometimes this imaginal space has an embodiment described as a muse or sometimes it is reflected in an insight that comes as a flash of understanding. And sometimes it comes as something mysterious that one does not have a clue about and its meaning takes time to be revealed. But either way, the artist trusts himself to it. He must. If he does not, his life becomes one of despair. It becomes the “Dark Wood” of Dante. One is forever lost among the trees where one cannot see in the material its significance. In this space, self-destruction is inevitable.

The artist observes matter, is engaged physically with matter but produces something of spiritual significance- that encompases the mind, the heart and the soul. What is this thing that comes to birth through this process? Is it not the art itself- the painting, the sculpture? Matter becomes transformed through the spiritual medium of the artist and again is materially manifested. What is this art? Does not this work become itself an object of significance? It not only becomes this type of object, but it also becomes matter that can engage the viewer spiritually just as an object in the world engages the artist and calls forth his own personal transformation and vision. This object, this art is capable of the same thing. Delacroix states in the journal that in and through the art work, “…mind speaks to mind”(and soul to soul), from the artist to the viewer and back again. Art, itself, becomes the isthmus that again leads the viewer, this time, to the realm of the imaginal. It becomes itself, the Eurydice, calling Orpheus into the underworld so he can undergo his own transformation to his new self and become the person, the artist that he is called to be.

The material world is the medium by which man can be transformed. He is matter. He manipulates matter. And he creates a material object. Yet, the product of all this activity is spiritual and the journey from birth to death is a spiritual one and the artist is at the center of this engagement and transformation not only for his own benefit, but for the benefit of the entire world. This is why he is compelled to this activity alone. It is at the very heart of existence.



A Pause, A Gift

This week on Saturday, December 10th, I will be showing some of my work from the Plattekill Falls Residency program. This was a grant that I received this summer from The Catskill Center for Conservation and Development. This grant allowed me to paint the Plattekill Falls and the surrounding area of the Hudson River. I was able to stay in a small rustic cabin just above the falls. It was a wonderful time of rigorous painting and contemplation. Along with painting, I spent time working on compiling this blog in the hopes of creating a more complete expression of my ideas which I hope at some point to publish. I am only at the very beginning of this project but the residency gave me that moment of pause so necessary to creativity.

It is in these pauses, these moments of intense recollection that one finds the source of one’s imaginative powers. These pauses are great gifts and from such a gift , the artist is able to return a gift by offering these moments back to the world, back to society. The observations, both interior and exterior, become the jewel held out by the artist for others to see and to hold themselves. It is in these small observations, these material moments of reverie that insight comes not only to the artist himself but to those that further contemplate these images.

I love how Manet would spend so much time composing his letters to family, friends and even clients and gallery owners. He would always begin by drawing something very ordinary that was before him- a peach, a flower, a chestnut in its case, even a tiny almond just split open- then he would write. I feel these small studies opened Manet up to a space of reverie and deep contemplation and in that interior space he was able to write what was in his heart. This exercise allowed his creativity to manifest itself on two planes- that of a visual acuity seeking to extract meaning from what appears to be ordinary as well as provide an access to his innermost thoughts. These simple expressions of observation became a jewel he could return as a gift to those he wrote to. And the fact that many of these letters have been preserved, they were small about 5″ X 8″, shows how much they touched the readers.

So I offer my simple observations back as a gift to those who wish to see and to see again the beauty that lies before each one of us if we only take a pause to see it in its fulness. Thank you for the opportunity, for it is in those that support the arts, we artists find consolation.

The show runs from Saturday, December 10, 2011 until April 6, 2012. All work is for sale and inquiries should be through The Erpf Gallery at; 1-845-586-2611. The images presented here are on display. Several images from that week at the falls are not in the show and any inquiries for further images should contact me at


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