<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Envisioning the Image</title>
	<atom:link href="http://attentiveequations.com/2010/02/08/envisioning-the-image/feed/" rel="self" type="application/rss+xml" />
	<link>http://attentiveequations.com/2010/02/08/envisioning-the-image/</link>
	<description>...thoughts on the practice of oil painting from artist Judith Reeve</description>
	<lastBuildDate>Thu, 09 Sep 2010 00:58:11 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.1</generator>
	<item>
		<title>By: Whit Prentice</title>
		<link>http://attentiveequations.com/2010/02/08/envisioning-the-image/#comment-53</link>
		<dc:creator>Whit Prentice</dc:creator>
		<pubDate>Wed, 10 Feb 2010 03:40:40 +0000</pubDate>
		<guid isPermaLink="false">http://attentiveequations.com/?p=765#comment-53</guid>
		<description>Judith, your studies are beautiful. The reclining figure is exquisite! I love it!              There is so much wisdom in your blog. Your statement that if the one does not have as complete a vision as possible of what the finished piece will look like &quot;one is apt to paint on it continuously because as moods change, for the model as well as the artist, the sense of the painting changes&quot; could have been written for me. I often have no idea what I want to paint and ask the model to assume various poses until I settle on one- as I write this I am thinking I could decide what is interesting about the pose and then envision and begin working on studies of what the final painting will look like. In any case &quot; Envisioning the image&quot; is one of several things that you write about that I have got to continuously remind myself of when painting. Thanks for describing your practice for &quot;allowing the image to reveal its self &quot;  looking forward to trying this.</description>
		<content:encoded><![CDATA[<p>Judith, your studies are beautiful. The reclining figure is exquisite! I love it!              There is so much wisdom in your blog. Your statement that if the one does not have as complete a vision as possible of what the finished piece will look like &#8220;one is apt to paint on it continuously because as moods change, for the model as well as the artist, the sense of the painting changes&#8221; could have been written for me. I often have no idea what I want to paint and ask the model to assume various poses until I settle on one- as I write this I am thinking I could decide what is interesting about the pose and then envision and begin working on studies of what the final painting will look like. In any case &#8221; Envisioning the image&#8221; is one of several things that you write about that I have got to continuously remind myself of when painting. Thanks for describing your practice for &#8220;allowing the image to reveal its self &#8221;  looking forward to trying this.</p>
]]></content:encoded>
	</item>
</channel>
</rss>
