<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Seeing The Whole</title>
	<atom:link href="http://attentiveequations.com/2009/10/10/seeing-the-whole/feed/" rel="self" type="application/rss+xml" />
	<link>http://attentiveequations.com/2009/10/10/seeing-the-whole/</link>
	<description>...thoughts on the practice of oil painting from artist Judith Reeve</description>
	<lastBuildDate>Sat, 12 May 2012 18:35:36 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.2</generator>
	<item>
		<title>By: Whit Prentice</title>
		<link>http://attentiveequations.com/2009/10/10/seeing-the-whole/#comment-39</link>
		<dc:creator>Whit Prentice</dc:creator>
		<pubDate>Wed, 14 Oct 2009 02:09:06 +0000</pubDate>
		<guid isPermaLink="false">http://attentiveequations.com/?p=560#comment-39</guid>
		<description>Yes this is so true Judith. Some artists seem to view their subjects as specimens and view them without without humanity. I love what you say about Gericault and his feelings of humanity. You also make me think about what the value of a portrait is for me an idealized flawless rendering or one that gave me some insight about as you say what the artist intuited about the sitter. Without hesitation I would choose the latter provided the artist did not view the sitter as a specimen but was a sympathetic soul. Especially if the portrait was of me. What a powerful visage on the portrait on this post. The directness of the paint handling seems integral to the subjects expression. So well done. Wonderful color design wonderful design altogether.</description>
		<content:encoded><![CDATA[<p>Yes this is so true Judith. Some artists seem to view their subjects as specimens and view them without without humanity. I love what you say about Gericault and his feelings of humanity. You also make me think about what the value of a portrait is for me an idealized flawless rendering or one that gave me some insight about as you say what the artist intuited about the sitter. Without hesitation I would choose the latter provided the artist did not view the sitter as a specimen but was a sympathetic soul. Especially if the portrait was of me. What a powerful visage on the portrait on this post. The directness of the paint handling seems integral to the subjects expression. So well done. Wonderful color design wonderful design altogether.</p>
]]></content:encoded>
	</item>
</channel>
</rss>

