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	<title>Comments on: Value vs. Temperature</title>
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	<link>http://attentiveequations.com/2009/08/20/value-vs-temperature/</link>
	<description>...thoughts on the practice of oil painting from artist Judith Reeve</description>
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		<title>By: Clouds and Color Temperature</title>
		<link>http://attentiveequations.com/2009/08/20/value-vs-temperature/#comment-31</link>
		<dc:creator>Clouds and Color Temperature</dc:creator>
		<pubDate>Sun, 13 Sep 2009 19:49:13 +0000</pubDate>
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		<description>[...] my last blog post on color temperature, I wrote about Sargent&#8217;s use of a simplified value structure evident in his mural work at the [...]</description>
		<content:encoded><![CDATA[<p>[...] my last blog post on color temperature, I wrote about Sargent&#8217;s use of a simplified value structure evident in his mural work at the [...]</p>
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		<title>By: Whit Prentice</title>
		<link>http://attentiveequations.com/2009/08/20/value-vs-temperature/#comment-30</link>
		<dc:creator>Whit Prentice</dc:creator>
		<pubDate>Mon, 24 Aug 2009 19:26:55 +0000</pubDate>
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		<description>The Oil Study of Baby is beautiful Judith. I can really see in it how your use of opposing temperature produces a strong sense of form and light. I  also love the drawing and gesture. Thanks for the insightful analysis of the Sargent and Thayer paintings. It is exciting and inspiring to see examples of the the subjects you are discussing.</description>
		<content:encoded><![CDATA[<p>The Oil Study of Baby is beautiful Judith. I can really see in it how your use of opposing temperature produces a strong sense of form and light. I  also love the drawing and gesture. Thanks for the insightful analysis of the Sargent and Thayer paintings. It is exciting and inspiring to see examples of the the subjects you are discussing.</p>
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