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Monthly Archives: August 2009
A Sublime Space
This past week I had the opportunity to paint some of my favorite subjects in the Catskills- waterfalls. There is something so sublime about falling water no matter where it is. That is why man has been fascinated with it … Continue reading
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Value vs. Temperature
One of the most difficult aspects of painting is how to begin. When I look at paintings in a museum, where one only has the result to look at, I try to fathom where the artist began- how did he … Continue reading
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Waiting for the Elan
I spent this week in the print studio at the Woodstock School of Art. I finally freed up a significant block of time and a partner to print a lithograph that had been sitting on a stone for about 6 … Continue reading
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The Singular and the Particular
William Blake writes in the marginalia to his copy of Reynold’s Discourses that, “singular and particular detail is the foundation to the sublime.” ( Blake, Marginalia to Reynold’s Discourses, Discourse III, 1808) When I reflect on ancient Greek sculpture, I … Continue reading
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The Nuance of Line
This week in TIME the author Claire Suddath expresses her generations inability to write in cursive, “we’ve given up beauty for speed, artistry for efficiency. And yes, maybe we are a little bit lazy.” ( TIME, I’m 26 Years Old, … Continue reading
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